Foreword

I have to lay out some important thoughts here. When I started Personal Odour, it was a way for me to practice my writing, my thinking and recording of everyday and personal odours around me. For a long time before that my passion was, and still is perfume. It’s so hard to describe to someone who doesn’t feel so moved by all things olfactory—to appreciate the varying degrees of one type of smell, through to the utter complexity of a perfume.
I hesitated for a while before starting to include perfume writing of any form in Personal Odour. It is a topic I feel so connected to, so into, yet, sometimes so far removed from. I don’t always understand all the French—or even able to pronounce it. I’m not up with all the industry developments, the who’s who and what not. Sometimes I don’t even care for all the goings on and announcements and releases and flankers and wave upon wave of advertising.
If I’m truthfully honest, I don’t always get impressions, notes and ingredients so many other perfume lovers do when they smell their cherished juices and write about them.
You can see where my hesitation in perfume reviewing comes from.
Breath of God
Where do I start with Breath of God? I first smelled it in 29 High Street, Poole in the autumn of 2008. I was in the then B Never Too Busy To Be Beautiful shop and was sniffing away at just about everything. Low and behold that I should smell Breath of God then and there because I was absolutely, without a doubt, mesmerized. Never had I smelled something so unusual, so captivating, so reminiscent of a place in time I can actually call from.
I bought the 10ml atomizer on the spot and I’ve never been without a bottle or few of it in my wardrobe.
Over the years I have worn Breath of God, a perfume I feel suits me so perfectly, time and time again. It never tires on me, it never grows old. I really dislike the over-use of the word “classic,” but it so is. It makes me feel assured, confident, heck even mysterious and aloof. It’s seen me through nights out, and nights in, job interviews and casual days at work. In the summer months it has an incredible vibrancy and silage. And in the winter, it is cool, collected and ethereal.
You don’t need me to tell you either if you are a perfumista of sorts, that it is a five-star fragrance from Luca Turin of Perfumes: The Guide. Not that one man’s seal of approval is the defining benchmark, but if I were Simon Constantine, the perfumer, I’d be pretty damn proud. On the flip-side the opposite is true, a seal of approval from Luca Turin is sure to be a defining benchmark!
With notes of Rose, Grapefruit, Black Pepper, Sandalwood, Cade, Vetiver and Neroli, Breath of God is a mixture of sorts—fruity, spicy, smoky and softly floral. It really does mix things up and I’ve known a few people to say when they wear it that it is a total chameleon of a fragrance. Personally, on me, I find it plays up the smoky Cade, Vetiver and Black Pepper card. Even in my first impressions on it, those altered, other-worldly top notes of Grapefruit and Lemon are obvious too but in a more abstract manner. They’re presented as I said, altered and that’s what I really like about Breath of God. It is a presented, altered impression of pheromones, of temples and distant grasslands.
What do you think?
Have you had the heavenly experience of smelling Breath of God? Has it left you contemplating? Have you been impressed by the thoughts of smoky temples or fresh grasslands? Or, have you felt a bit of an atheist towards it?
